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This article first appeared in Johnn Four‘s Roleplaying Tips Newsletter #696.

It is time to put on your acting hat. Roleplaying NPC Mannerisms Part I revealed the importance of distinct, specific non-player character mannerisms. When a great game master inhabits an NPC, the character’s physical and verbal mannerisms help set it apart from the rest, reveal motivations, hint at history, and create a richer story.

This article builds upon the first by providing four NPC archetypes with corresponding physical and verbal mannerisms. Use the advice from that first article combined with the archetypes found here to roleplay NPCs to perfection.

How to Use These Archetypes

The descriptions and examples in this article are meant to be used as a base for creating NPCs. If you are a beginner GM or uncomfortable with acting, you can just follow the bullet points given at the end of each archetype and you will play a great character.

If you are an experienced GM who has been playing NPCs for years, use the bullet points but add one or more mannerisms each time you roleplay an NPC of that archetype. Make it a different mannerism each time to set Town Guard #1 apart from Town Guard #2. The players will definitely remember that #1 is a nose picker and #2 stutters.

Accents are always optional, but you are encouraged to give them a shot. Who cares if they are not perfect? You’re doing this for fun. If you do not quite nail the Ks of a Russian accent, no one is going to fire you. No one can even question your accent if you’re playing in a fantasy world. So what if your Spanish accent sounds like a combination of Bulgarian and Australian? Those countries do not exist in the world you create. That is just the accent of a person from Breland! Accents get better with practice, so feel free to go all out.

The most important guideline of all is to have fun with NPC mannerisms. The more you enjoy playing an NPC, the more the players will enjoy interacting with you. If you are having a blast playing your characters, your players will be more enthusiastic about playing theirs. As the GM, you set the tone for the game. If you appear awkward and forced, the entire game will feel that way. So relax – you are among friends and playing a tabletop roleplaying game. That is the best. Enjoy it!

Ancient Evil

Gods, demons, aliens, and other ancient evils often appear in our games. These superpowers should make your players quake with awe and fall to their knees…or at least convince them these are forces to be reckoned with.

Matt Mercer, professional voice actor and the GM of the hit web series Critical Role, did an amazing job playing the shadow demon Orthax. Mercer enters, leans quite far over the screen, and sticks his neck out with his head forward and up. This gives him a strange, unsettling appearance. While he is physically lower than the players, the position of his head suggests utter confidence. This unnatural posture immediately translates to otherworldly. The confidence of his tilted head suggests a powerful being who knows its capabilities.

Then Mercer speaks as Orthax. He brings his voice into a low register, which screams power. He adds a growl to his voice and some heavy breathing at the end of his sentences. These vocal qualities inform the players of the danger Orthax poses and his evil nature. They also give anyone hearing the voice the impression this being is just at the edge of its control. It could snap at any moment and unleash its otherworldly fury on the PCs.

When playing an ancient evil:

• Lean far forward
• Stick out your neck and raise your head
• Speak in a very low register
• Add a growl and heavy breathing to your voice

Law Enforcement

Law enforcement personnel are police officers, space marines, and town guards. They are in gatehouses, towers, streets, prisons, bars, and more, keeping the peace, taking a bribe, and chasing after thieves. These NPCs are often among the first a party of adventurers meets in a settlement. They provide information and directions.

Roleplaying them can be a pretty uninteresting encounter, but only if you play them as uninteresting people.

Let’s take another look at Matt Mercer. In this clip he’s playing a town guard in episode 1 of Critical Role. He first describes a pair of city watch dwarves observing the PCs. Immediately after describing them, Mercer takes on the physical posture of one guard. He mimes holding a spear comfortably, with a relaxed bent arm, and leans back. The NPC’s posture indicates he is comfortable with his weapon and at ease in his own city. Law enforcement should feel comfortable within the walls of cities where they wield authority.

When he opens his mouth to speak as one of the guards, the real magic begins. He leans back even further to show how relaxed the guard is even when talking to a group of well-armed strangers. His volume is a bit louder than normal, and his voice is steady and confident. It is a clear display of authority without being threatening. After all, the guard has no reason to distrust the adventurers at the moment.

As the guard speaks, he uses big arm movements. Mercer extends his arms fully to point to various landmarks and tilts his head in the opposite direction of his hand to give the impression his arms are even longer than they are. This action is another indicator of the guard being in his comfort zone. He has no fear that the adventurers or anyone else will accost him, so he feels fine leaving his arms wide open.

When playing law enforcement….

• Lean back in a relaxed posture
• Use big arm movements
• Raise the volume of your voice
• Keep your voice steady

Mercer sets his guard apart from the rest by making him a rather jovial fellow. He cocks his head to the side, indicating interest in the person he is speaking with, and lets the register of his voice get higher when the guard cracks a joke or gets excited. If you want a jovial town guard, add these mannerisms:

• Tilt your head slightly to one side
• Raise the register of your voice when you are excited

One final note on this scene. At the beginning of the encounter, Mercer briefly portrays both guards speaking to one another. You can tell them apart become he leans one way and speaks with a high voice before turning around to face the opposite direct and lowering his vocal register to be the other guard. It is simple and genius. A quick turn and a deeper voice make all the difference between the two.

Seducer

Seducers are manipulators who exude sex appeal. They are the kind of people who are attractive to everyone in some way. They are great performers, con artists, politicians, and business people. These NPCs can wrap anyone around their little fingers, and use their good looks and beguiling wit to make others do their dirty work.

We turn to the GM of GMs, Chris Perkins. In this clip from a 2012 Pax Acquisitions Inc. game, Perkins plays a seductress dark elf who convinces the plucky band of adventurers to steal gems for her. We hear her voice before we see any of her physical mannerisms, as she’s sneaking up on the PCs in the dark. It is husky and breathless, vocal qualities scientifically proven to be attractive. She speaks with a sultry lower tone, and to make things extra sexy, Perkins gives her a French accent (which is largely considered one of the world’s most romantic languages).

When she comes out of the shadows, Perkins displays the woman’s physical mannerisms. He tilts his head down slightly and looks up at the person he is talking to, which gives him a submissive air. When he speaks, he picks a specific individual to focus his attention on and keeps constant eye contact while leaning toward that person. This behavior makes a player feel singled out and special. An attractive person empowers them by giving undivided attention.

When playing a seducer….

• Tilt your head down slightly
• Focus your attention on each player one at a time
• Lean toward the focus of your attention and maintain eye contact
• Lower the tone of your voice
• Make your voice husky and breathy
• Use a French accent (optional)

Superior Intellectuals

Haughty wizards, know-it-all telepaths, and pedantic scientists are just a few of the people who fall into the superior intellectual archetype. They are the smartest people in the room and know it. Because of their smarts, these NPCs think themselves above every other living being. Odds are the players will cross paths with someone like as they seek an intelligent being to help them unravel some mystery.

Watch again as Chris Perkins portrays Flabbergast in the latest PAX Acquisitions, Inc. game. Like Mercer, he begins by describing the NPC. Then Perkins sticks out his neck just a bit so the rest his body is led by his head. This indicates he is intellectually focused. He then raises his chin and looks down his nose at the players, signaling Flabbergast’s belief that he is far more intelligent than the group. These physical mannerisms suggest a smart, conceited individual. They are enhanced by the fact that Perkins has chosen to stand. It literally puts him above the players.

Perkins then produces a voice which can only be described as nasally Alan Rickman. The nasal quality sells Flabbergast as an intellectual, and the low tone of voice mixed with disdain and condescension leaves no question that this wizard believes he is the smartest guy in the room.

The superior intellectual keeps his movements small and close. In general, these people are untrusting of others because everyone else is too stupid to do anything right. Perkins keeps his wrists loose and close to his body as he pets a phantom cat, or keeps his hands folded in front of him. These movements suggest the wizard is guarded, untrusting, and physically unimpressive.

When playing superior intellectuals…

• Lead with your head
• Tilt your chin up
• Lower your voice
• Use a nasally voice with condescension and disdain
• Use small, weak movements
• Stand (optional)

Flabbergast’s cat is a nice touch. It demonstrates the wizard prefers the company of animals to people and makes him an instantly distinct and memorable NPC.

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